You'll notice that each section in the Lumetri Color panel we've got Basic Correction, Creative, Curves and so on, has a Checkbox to enable or disable it. So, to fix it I'm going to drag the Tint slider over towards the green and that does a pretty good job. I can see just by eye that there's too much magenta in this shot. The fourth clip in the sequence this interview one shot has a pretty strong tint. You've got more subtle controls available here but very often just moving the Exposure slider will fix these kinds of simple issues. Going back to this first clip all I need to do to brighten this up is drag the Exposure slider to the right. And it's worth noting that these are distinct from the buttons to the left which are the available Source selection buttons. This is based on the Track selection buttons, that's this column here where the track names are. See as I drag across here each clip is highlighted. In the Color workspace clips are selected automatically when the Timeline Play head moves over them. If it doesn't just be sure to click on the Panel menu here in the Workspace panel and choose Reset to Saved Layout. I'm going to switch to the Color workspace and this brings up the Lumetri Color panel. The first clip in this NinjaSonic Sequence is a little dark. There are a wealth of special effects available in Premiere Pro but we're going to focus on the Lumetri Color panel. Once you have the timing of your edited sequence just right it's likely you'll want to adjust the appearance of your clips. Just double click on it to open it in Premiere Pro. You can find this with the media associated with this lesson. For this lesson, I'm working with the 06_01 Basic correction options.prproj file.
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